By Chuck Klosterman
Originally amassed in Eating the Dinosaur and now to be had either as a stand-alone essay and within the e-book assortment Chuck Klosterman on Pop, this essay is ready ABBA.
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Extra resources for ABBA 1, World 0. An Essay from Eating the Dinosaur
Instead, we were given a publication called the Weekly Reader, which was like a newspaper for four-foot illiterates. It concisely covered the entire spectrum of current events, most notably the eruption of Mount St. Helens, the ongoing success of NASA, and whatever was supposedly happening in women’s sports and national politics. For some reason, one of the exposés tackled by the Weekly Reader in autumn of 1980 was the rising unpopularity of disco, punctuated by “Disco Demolition Night” at Chicago’s Comiskey Park during the summer of ’79 (news cycles were slower in those days).
Because if we don’t play a guitar solo in one of these songs, that dates it to this period. ” When this exchange occurs during the film, everyone in the audience giggles. It seems like Nigel Tufnel logic. But Hammett intuitively understood something the other guys in Metallica didn’t want to accept: The mere recognition of an extrinsic reality damages the intrinsic merits of one’s own reality. In other words, it’s a mistake to (consciously) do what everyone else is doing, just as it’s a mistake to (consciously) do the opposite.
If someone reads this book in the year 2110, that will still be a lot of money. But they turned it down. “We had to think about it,” Björn told The Guardian, “because one could build hospitals with that much money . . ” This is crazy for lots of reasons. The first is that I’m sure the main explanation as to why this didn’t happen was because Agnetha (the blond one) did not want to do it (she now lives as a semi-recluse and never enjoyed fame, even while she was pursuing it). The second reason is that it would be funny to wake up from a skiing accident in a hospital named after ABBA.
ABBA 1, World 0. An Essay from Eating the Dinosaur by Chuck Klosterman