Get Aboriginal Music in Contemporary Canada: Echoes and PDF

By Anna Hoefnagels

ISBN-10: 0773539514

ISBN-13: 9780773539518

First international locations, Inuit, and Métis song in Canada is dynamic and numerous, reflecting continuities with prior traditions and cutting edge methods to making new musical sounds. Aboriginal song in modern Canada narrates a narrative of resistance and renewal, fight and good fortune, as indigenous musicians in Canada negotiate who they're and who they wish to be. constructed from essays, interviews, and private reflections by way of Aboriginal and non-Aboriginal musicians and students alike, the gathering highlights subject matters of innovation, instructing and transmission, and cultural interplay. person chapters speak about musical genres starting from well known kinds together with nation and pa to nation-specific and intertribal practices resembling powwows, in addition to hybrid performances that contain tune with theatre and dance. As an entire, this assortment demonstrates how track is a strong device for articulating the social demanding situations confronted through Aboriginal groups and a great way to verify indigenous energy and delight. Juxtaposing scholarly examine with creative perform, Aboriginal tune in modern Canada celebrates and seriously engages Canada's brilliant Aboriginal track scene. individuals contain Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for younger People), Sadie dollar (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, collage of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern collage of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, collage of Toronto), Christopher Scales (Michigan country University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

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Arden Ogg (1988) has made an innovative study of Cree song texts in relation to melody. Language in the context of song and vocal style has been the focus of several other studies as well (Diamond 1998, Surmont 2004, TremblayMatte and Rivard 2001). The northern Dene have also collaborated with a number of ethnomusicologists in recent years in the study of traditional repertoires. Lucy Lafferty and Keillor (2009) have written about the Dogrib love and land songs, complementing Ogg’s work on Cree love songs; Beaudry’s (1992a) more anthropologically informed approach has focused on the prophecy tradition of Dene dream songs.

They range between one foot and one and one-quarter feet in diameter, are typically made of cow moose rawhide stretched tightly across birch frames, and are secured with babiche The Dane-zaa Dreamers’ Song and Dance Tradition 39 (twisted sinew) (J. Askoty 2007, 01:25). Both types of drum are held by one hand and are beaten with a stick about eight inches in length. The double-headed barrel drums are used only by dreamers or occasionally by others who have inherited drums after dreamers have passed away.

14 The definition of “mixed” Aboriginal cultures, however, remains contested. In some regions of Canada, the nature and temporal extent of intercultural contact (among Aboriginals as well as between Aboriginals and non-Aboriginals) challenges the discrete nations model altogether. Particularly in Atlantic Canada – where inaccurate myths, such as those about the extinguishment of the Beothuk15 and about the “mercenary” Mi’kmaq, have implied a history of unmitigated conflict among First Nations – music scholars have presented counterevidence.

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Aboriginal Music in Contemporary Canada: Echoes and Exchanges by Anna Hoefnagels

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