By Craig Nelson
Celebrating the amazingly undesirable exhibits that experience made it onto tv and into the yank psyche, a hilarious television nostalgia publication provides out awards to undesirable classics in each classification, spotting the worst of the worst in television history.
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America was thrilled to learn tllat the Empress of Television, Lucille Ball, was coming back to do a weekly series. All the How Could You? (When BAD Things Happen to Good People) 45 ................................................................................. The Skipper and Gilligan meet two of the many, many people who just happen to land on their island-but this time it's the Harlem Globetrotters! (Photofest) elements seemed propitious; the producers included Lucy's real-life husband and two writers from the orig inal/ Love Lucy, and the show would return Ms.
Dreary, unimaginative sequel to the wonderful Bewitched focusing on the teen trials of the eponymous haJf-breed and costarring BAD legend Robert Urich. Topper, 1973; Topper. 1979. In the 1953 series (based on the 1952 Cary Grant/Constance Bennett feature), the story of devil-may-care, married ghosts (Anne Jeffreys and Robert Sterling) haunting a stodgy banker (Leo G. Carroll), was elegant and charming. E. Stefanie Powers, and degraded even further in ' 79 by Kate Jackson and her husband (at the time) Andrew Stevens.
Why should the wonderful Lassie be included in BAD TV? " "What's that, Lassie? " 32 The BAD Classics (That's Why We Loved Them) Hall of Fame ................................................................................. Lets Make a Deal, 1963. As Vanna White ancestor Carol Merrill lov- ingly traces the outline of every refrigerator, stereo, cookware set, and giant rocking chair ''zonk,'' rapid-fire carney barker host Monty Hall moves through his studio audience like a buttered-up Santa Claus, perhaps throwing instant cash and prizes your way.
Bad TV : the very best of the very worst by Craig Nelson