Barcelona: Visual Culture, Space and Power by Helena Buffery, Carlota Caulfield PDF

By Helena Buffery, Carlota Caulfield

ISBN-10: 0708324800

ISBN-13: 9780708324806

This richly illustrated quantity brings jointly clean insights into the altering city house of Barcelona from the start of the 20 th century to the current day. the gathering focuses totally on the advanced dating among surroundings, id, and function as they have been obvious, explored, and portrayed via countercultural and avant-garde artists and groups from the Sixties to this present day. Drawing an important hyperlinks among thought and perform, aesthetics and environment—and paying specific realization to the position of the avant-garde in tough and disrupting dominant paintings types and makes use of of city space—Barcelona offers a number of views and ways, drawing on artwork background, cultural geography, functionality experiences, and institutional critique.

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By 1906, artists and intellectuals associated with Noucentisme had begun to attack what they considered the aesthetic excesses of Modernisme, advocating Columns Design XML Ltd / Job: Barcelona / Division: 05chapter1 /Pg. Position: 3 / Date: 10/2 JOBNAME: Barcelona PAGE: 6 SESS: 12 OUTPUT: Tue May 15 14:14:06 2012 14 Barcelona: Visual Culture, Space and Power a return to a Mediterranean classicism based on sound judgement and civility (or seny). Coined by the essayist, philosopher and art critic Eugeni d’Ors (‘Xènius’, 1881–1954), Noucentisme ‘was founded on concepts such as structure, rhythm, harmony and order, and presented as an exercise in organization as opposed to the emotionalism and spontaneity of modernista art’ (Suàrez and Vidal, 2006, p.

Some of the most important were Dalí’s Soft Construction with Boiled Beans (Premonition of Civil War) of 1936 and Miró’s Still Life with Old Shoe of 1937, the same year which saw Picasso’s Guernica first exhibited in Sert’s Pavilion of the Spanish Republic for the Paris International Exposition. Avant-garde techniques continued to have a great impact in Catalonia during this time, in particular cartelismo and photomontage (Basilio, 2006). However, the outcome of the war prevented the further development and consolidation of groups like ADLAN and the logicophobists in Catalonia, and many architects and artists were forced to go into exile elsewhere in Europe or Latin America.

Indeed, Futurism became synonymous with the avant-garde in Catalonia up until World War I (Resina, 1997, p. 17; Canals, 1999b, p. 18). Among the earliest practitioners in Catalonia were Josep-Maria Junoy (1887–1955), J. V. Foix (1894–1987), Joaquim Folguera (1893–1919) and Salvat-Papasseït. The Catalan Futurists did not form a homogeneous group ‘but rather a sporadic and transitional one’ (Borràs, 2006, p. 3) which laid down a bridge to ‘a new aesthetics that demanded a radical restructuring of art involving its most basic elements’ (Bohn, 1986, p.

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Barcelona: Visual Culture, Space and Power by Helena Buffery, Carlota Caulfield


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