By Stephen Cairns
To stay in those globalizing instances calls for us to barter more and more palpable flows - of capital, principles, photos, items, know-how, and folks. Such flows appear to pressurize, breach and infrequently even disaggregate the locations we constantly speculated to be exact and sturdy. This e-book is focussed at the interplay of 2 components inside of this modern scenario. the 1st is the very inspiration of a spot we think to be targeted and solid. this concept is explored via structure, the establishment that during the West has claimed the accountability for imagining and generating locations alongside those strains. the second one point is a selected form of international move, specifically the human flows of immigrants, refugees, exiles, guestworkers and different migrant teams. This booklet conscientiously inspects the intersections among architectures of position and flows of migrancy. It does so with no trying to shield the belief of position, nor lament its passing. particularly this publication is an exploration of the customarily advanced and unorthodox modes of residing which are rising accurately from in the ruins of the assumption of position. This exploration is educated by way of serious analyses of structure and urbanism, and their illustration in media equivalent to movie. The ebook is lively empirically by means of a suite of overlapping and intersecting trajectories that shift from Hong Kong to Canada, Australia and Germany; from Southern Europe to Australia; from Britain to India, Canada and New Zealand; from Southeast Asia, to the Pacific Islands, to New Zealand; and from Latin the USA and East Asia to the USA. yet each one geographical context mentioned represents just one element inside a much wider trend of move that implicates different localities, and so indications the very undoing of a unified geographical common sense.
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Additional resources for Drifting - Architecture and Migrancy
He announced that he ‘wouldn’t have a bar’ of designing detention facilities in Australia (Murcutt cited in Farrelly 2002). The President of the Royal Australian Institute of Architects (RAIA), Graham Jahn, also articulated an objection to the Minister’s competition, but did so within his narrower professional remit. In a press release titled ‘Sentenced to detention’, he warned Institute members off the competition on the grounds its regulations obliged all entrants, successful or not, to cede copyright of their work to the government for a token fee.
Embedded in this argument is the assumption that the design parameters of disaster relief shelter – which involve seemingly direct relations between cause and effect, necessity and urgency – offer architects a 24 ᮀ 1111 2 3 4 5 6 7 8 9 10 1 2 13 4 5 6 7 8 9 201111 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 41 42111 Drifting socio-political cover for unfettered exercises in exitenz minimum ‘discipline’, functionalism, as well as a more general aesthetics of minimalism. By way of this moral cover, deeply held modernist attitudes are able to be (once again) unapologetically aired.
Perhaps the instance where architecture/migrancy is most comfortably resolved is the case of the museum of immigration. In one sense, a museum of immigration houses and displays an array of everyday examples of architecturesby-migrants: from personal effects, to the paraphernalia of travel such as suitcases and trunks, to migrant dwellings. The best known of these museums is the Ellis Island Immigration Museum in New York harbour (see Catherine Ingraham, this volume, on the ‘evidentiary’ status of this architecture), but more modest versions, including discrete exhibitions devoted to immigration, are found in almost every settler nation whose growth has depended upon immigration – Canada, South Africa, Brazil, Argentina, New Zealand and Australia.
Drifting - Architecture and Migrancy by Stephen Cairns