By Frenchy Lunning
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Extra info for Mechademia 5: Fanthropologies
Nara is from the prefecture of Aomori, where the sacred Mount Osore is known for its yearly summer festival in which blind female spirit mediums call down the dead. Mount Osore is watched over by Jizō, and innumerable small Jizō shrines, almost buried in offerings of children’s clothes, toys, and dolls, mark the landscape of the mountaintop. However distantly, this relationship of death, children, and the accumulation of nuigurumi must function in the artistic unconscious of Nara Yoshitomo. As such, then, the excess of these dolls, these toys, at the Yokohama exhibition evoked a kind of “horror,” according to one critic, a horror connected both to the death of childhood through the abandonment of toys and to the palpable death of actual children evoked by a number of dolls heaped on the floor.
6 Such vocal opinions often fail to properly explain the exact reason for their anger, though, particularly in the context of the anime industry at the time. 7 This reaction raises the question of what it is about Warriors of the Wind that marks it so seriously as a failed transnational media product. This question raises an important point about the nature of media globalization. Such attitudes assume that for the localization of a foreign media 32 brian ruh product to be “successful” it needs to be transparent.
As was the anime television imported in case with the anime used in Voltron, all the 1980s, it was probably three programs had been animated at the Robotech, which began same studio, Tatsunoko Productions, at airing in March 1985, that around the same time, resulting in a concaused the greatest sistent style that contributed to the apcontroversy among fans pearance of continuity. The program shows regarding the editing of how Earth deals with three successive invathe program. sions of aliens from outer space.
Mechademia 5: Fanthropologies by Frenchy Lunning