Music and Human-Computer Interaction - download pdf or read online

By Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago

ISBN-10: 144712989X

ISBN-13: 9781447129899

ISBN-10: 1447129903

ISBN-13: 9781447129905

This agenda-setting publication offers state-of-the-art examine in track and Human-Computer interplay (also often called ‘Music Interaction’). song interplay learn is at an exhilarating and formative degree. issues mentioned contain interactive track structures, electronic and digital musical tools, theories, methodologies and applied sciences for song interplay. Musical actions coated contain composition, functionality, improvisation, research, reside coding, and collaborative tune making. cutting edge techniques to latest musical actions are explored, in addition to instruments that make new sorts of musical task attainable. Music and Human-Computer Interaction is stimulating studying for execs and fans alike: researchers, musicians, interactive tune method designers, tune software program builders, educators, and people looking deeper involvement in song interplay. It provides the very most up-to-date examine, discusses primary principles, and identifies key matters and instructions for destiny work.

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Extra resources for Music and Human-Computer Interaction

Sample text

Zbikowski, L. M. (1997a). Conceptual models and cross-domain mapping: New perspective on 446 theories of music and hierarchy. Journal of Music Theory, 41(2), 193–225. Zbikowski, L. M. (1997b). Des Herzraums Abschied: Mark Johnson’s theory of embodied 448 knowledge and music theory. Theory and Practice, 22–23, 1–16. Zimmerman, T. , & Harvill, Y. (1986). A hand gesture interface device. In J. M. Carroll & P. P. ), Proceedings of the SIGCH conference on human factors in computing systems (CHI ’87) (pp.

1956). Emotion and meaning in music. Chicago: Chicago University Press. Mills, R. (2010). Dislocated sound: A survey of improvisation in networked audio platforms. In Proceedings of the NIME 2010. pdf. Accessed 14 Jan 2012. Milne, A. , Sharp, D. , & Holland, S. (2011, May 30–June 1). Hex Player—A virtual musical controller. In The International Conference on New Interfaces for Musical Expression 2011 (NIME ’11) (pp. 244–247). Oslo, Norway. Milne, A. , Sethares, W. , & Holland, S. (2011b). Scratching the scale Labyrinth.

8, pp. 75–80). Budapest: International Peto Institute. 24 S. Holland et al. , & Hamilton, F. (2009). Identifying mutual engagement. Behaviour & Information Technology, 31(2), 101–125, 201 pp. Buxton, W. (2008). My vision isn’t my vision: Making a career out of getting back to where I started. In T. Erickson & D. ), HCI remixed: Reflections on works that have influenced the HCI community (pp. 7–12). Cambridge, MA: MIT Press. , & Baecker, R. (1979). The evolution of the SSSP score editing tools. Computer Music Journal, 3(4), 14–25C60.

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Music and Human-Computer Interaction by Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago

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